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Cry Macho review – Clint Eastwood’s lone ranger bridges the generation gap [1]
His latest outing is a gentle road movie, which sees the actor-director happily retreading safe, reliable territory. All feels right in the world as we watch him sleeping under the stars, romancing a widowed restaurant owner and tenderly taming wild horses.
His mission is to cross the border from Texas to Mexico and retrieve Howard’s rebellious 13-year-old son, Rafo (Eduardo Minett), from his feckless, gold-digging mother, Leta (Fernanda Urrejola). Also along for the ride is Rafo’s cockfighting rooster, Macho.
“You’re angry – it’s bad for you at your age,” chides Rafo. Yet beneath Mike’s brittle, taciturn exterior is a big old softy
Warner Bros CEO reportedly unhappy about Clint Eastwood’s last movie [2]
The new CEO of Warner Bros Discovery, David Zaslav, has looked over the studio’s work and reportedly isn’t too happy about some past decisions – one of which being the making of Clint Eastwood’s last movie, Cry Macho. According to The Wall Street Journal, Zaslav confronted executives about why the film was greenlit, despite the team’s reservations on its success.
After rising to stardom in classic Westerns, such as Sergio Leone’s The Good, The Bad and the Ugly, Eastwood would helm 45 flicks and earn four Academy Awards. However, not all of Clint Eastwood’s movies are winners, and his last film, released in 2021, even failed to turn a profit.
The film only grossed $15 million against a $33 million budget and failed to garner critical acclaim. So it is understandable why Zaslav wanted to know why the studio agreed to make it in the first place.
Another Unpretentious, Melancholy Farewell From Clint Eastwood [3]
Clint Eastwood’s first Hollywood swan song was 1992’s Unforgiven, a dark, bitter Western that bade goodbye to the genre that had made him famous. He was 62 at the time, and after some 30-plus years of riding horses on-screen, the actor-director seemed ready to retire from the fictional range
In movies such as Space Cowboys, Blood Work, Gran Torino, and The Mule, he played fading exemplars of a prior generation’s masculine ideal who were struggling to understand their place in a new world. But Eastwood’s latest film, Cry Macho, marks the first time since 1992 that he’s actually gotten back in the saddle.
Though Mike is hardly a spry figure at his advanced age, the thinking is that Rafael will be bowled over by his old-school appearance and be willing to accompany him. “You’re a cowboy?” Rafael asks with awe at the first sight of the creaky, behatted Mike
‘Cry Macho’ shows that a 91-year-old Clint Eastwood isn’t ready to ride off into the sunset [4]
In “Cry Macho,” an old rodeo rider, Mike Milo, gets asked to do a favor. His former boss (Dwight Yoakam) wants Mike to go to Mexico City and bring back his 13-year-old son, Rafa
Over the course of “Cry Macho” (the title is more deflating than you might think, but we’ll get to that), Clint punches a bad guy in the face, holds a gun on him, rides some horses, and does a lot of driving. Old Clint is still Clint, but he definitely looks a little stooped and more than a little frail.
The frailty underscores something that’s been evident throughout what is now a 66-year acting career: Eastwood’s innate elegance.. Yes, elegance: Whether as the Man With No Name or Dirty Harry or any of his other roles, action and otherwise, Eastwood has always made every gesture count, an economy of motion he shares with his predecessors and peers Gary Cooper and John Wayne
91-year-old icon Clint Eastwood takes the reins in ‘Cry Macho’ [5]
At the age of 91, Clint Eastwood is not just directing but also climbing back in the saddle, and even throwing a punch for his new Western “Cry Macho.”. The legendarily prolific Hollywood star has never shown much interest in retiring and appears on-screen in the movie, out Friday, as a former rodeo champion tasked with one last job.
“This picture came along about 40 years ago,” recalls Eastwood in the film’s production notes.. “I’m too young for this part, why don’t I direct it and we’ll get Robert Mitchum?” he told a producer at the time.
“The thing that everybody loves to see is Clint in a cowboy hat and on a horse,” Moore told the recent CinemaCon gathering in Las Vegas.. “He hasn’t been on a horse since ‘Unforgiven,'” he said, referring to the 1992 Oscar-winning film.
Cry Macho (film) [6]
Cry Macho is a 2021 American neo-Western drama film directed and produced by Clint Eastwood and written by Nick Schenk and the late N. It stars Eastwood as a former rodeo star hired to reunite a young boy (Eduardo Minett) in Mexico with his father (Dwight Yoakam) in the United States
Most notably, Arnold Schwarzenegger came on board to star in 2011 but canceled after a scandal. In 2020, Eastwood’s adaptation was announced; he produced the film with Albert S
Cry Macho was theatrically released in the United States on September 17, 2021, by Warner Bros. Pictures with a simultaneous release on the HBO Max streaming service for 31 days
In ‘Cry Macho,’ Clint Eastwood Stares Old Age Right in the Face [7]
One of the signs of maturity is understanding how rude it is to call someone “old.” When you’re a kid, you don’t know better — every grownup is “old” from your perspective — but as you yourself age, you recognize that “old” is an insult. No matter how old you get, you don’t want to think you’re “old” — “older,” sure, but you still have a lot of life to live
“Old” is relative, of course, but while watching Cry Macho, I realized I was experiencing a rare thing in movies. The film stars (and is directed by) Clint Eastwood, who was 90 when this sorta-Western was made
But to see Eastwood stride across the screen in Cry Macho is to be reminded just how unusual it is to see a starring vehicle for anyone his age. The film isn’t very good, but the fact that it exists at all is somewhat remarkable
Clint Eastwood is 91 and His Films Just Keep Getting Odder and More Daring [8]
On January 20, 2019, John Mulaney and Pete Davidson made an appearance on Saturday Night Live’s “Weekend Update” to deliver a report on what Colin Jost described in his intro as “a very important experience.” The set-up suggested Davidson would be talking about his mental health issues and some troubling Instagram posts alluding to suicide he’d made a few weeks before. Instead, the two offered a breathless summary of Clint Eastwood’s The Mule, describing it as “the greatest, weirdest, most bananas movie ever made — about a 90-year-old drug mule.”
Directed by and starring Eastwood, The Mule recounts a fact-inspired story in which a down-on-his-luck Illinois horticulturalist becomes the favored means of transportation for a drug cartel, a late-in-life career change that allows him to enjoy the open road and the occasional threesome. But it’s just one entry in what’s been a determinedly unpredictable, sometimes baffling, sometimes thrilling decade for the now 91-year-old Eastwood, that’s found him attempting new genres, trying out new techniques, and charging forward as he piles one movie atop another.
Yet while he seems like one of the healthiest 91-year-olds on the planet, he’s still 91 years old. Each film could be his last, and while other filmmakers might have treated this as a time to coast, Eastwood seems more restless than ever
At 91, Clint Eastwood throws a punch and rides a horse in his new movie. And he’s not ready to quit [9]
Clint Eastwood has been directing himself and others longer than many of his colleagues have been alive. If he walks a little slower on-screen, he’s entitled.
17 release in theaters and on HBO Max, Eastwood — whose acting credits date to 1955 — is perhaps the oldest American ever to both direct and star in a major motion picture. But ask if anything is different between then and now and you get the verbal equivalent of an amused shrug.
“I never think about it,” Eastwood says, considering the question. “If I’m not the same guy, I don’t want to know anything about it
Another Unpretentious, Melancholy Farewell From Clint Eastwood [10]
Clint Eastwood’s first Hollywood swan song was 1992’s Unforgiven, a dark, bitter Western that bade goodbye to the genre that had made him famous. He was 62 at the time, and after some 30-plus years of riding horses on-screen, the actor-director seemed ready to retire from the fictional range
In movies such as Space Cowboys, Blood Work, Gran Torino, and The Mule, he played fading exemplars of a prior generation’s masculine ideal who were struggling to understand their place in a new world. But Eastwood’s latest film, Cry Macho, marks the first time since 1992 that he’s actually gotten back in the saddle.
Though Mike is hardly a spry figure at his advanced age, the thinking is that Rafael will be bowled over by his old-school appearance and be willing to accompany him. “You’re a cowboy?” Rafael asks with awe at the first sight of the creaky, behatted Mike
Cry Macho Is Pure Clint Eastwood—and That’s Mostly a Good Thing [11]
To criticize Cry Macho—Clint Eastwood’s 39th or 40th movie as a director, depending on how you’re counting—is like picking on a cave painting because a buffalo’s legs aren’t portrayed realistically, to decry today’s sunset because yesterday’s was redder, to announce loudly that water just isn’t wet enough. The picture is so purely Eastwood—with all the good and bad that implies—it’s as if it had been drawn from his veins
But the picture slides by pleasantly enough like a stream in a Budd Boetticher movie, a calm place to take off your boots and set a spell as you reflect on the true meaning of manhood, the necessity of overcoming hidden heartache and the pleasures of finally, in your sunset years, succumbing to the love of a good woman. The plot, set in 1979, goes something like this: Mike’s old boss, rancher and rodeo owner Howard (Dwight Yoakam, always a welcome presence), is concerned that his son, Rafo—a boy he’s never really known, the result of a one-night stand—is being abused
A fistful of dollars in his pocket, Mike—who once had a family himself, now long gone—heads across the border. Rafo’s mother, Leta (Fernanda Urrejola), is a rich sex nymphomaniac who lives in a lavish house
Clint Eastwood, 91, on aging: ‘I don’t look like I did at 20, so what?’ [12]
Clint Eastwood, 91, on aging: ‘I don’t look like I did at 20, so what?’. At 91, Clint Eastwood shows no signs of slowing down, either as an actor or a director.
“I don’t look like I did at 20, so what?” Eastwood says of life as a nonagenarian. “That just means there are more interesting guys you can play.”
Eastwood says the 1970s-set Western is a film that’s been on his radar since 1988, when he was in his late 50s.. “Let me direct and we’ll get Robert Mitchum, an older dude.”
‘Cry Macho’ review: Clint Eastwood fails to deliver both as star and director [13]
Clint Eastwood’s Cry Macho marks the 39th film of his incredibly impressive directorial career.. Since making his debut with 1971’s Play Misty For Me, Eastwood has never gone longer than two and a half years without overseeing a film
But even though it marks his fourth film in three years, Cry Macho is a clear sign that Eastwood, 91, is finally starting to slow down.. Set in 1979, the film revolves around Eastwood’s Texan rodeo star Mike Milo, who has been forced to retire by his boss Howard Polk (Dwight Yoakam) owing to a severe back injury
Once in Mexico, Mike learns that Rafo, 13, has turned to a life of crime. In particular, he has been entering his rooster, Macho, into cockfights
Cry Macho Is Much Better Because It Took Clint Eastwood So Long To Make [14]
Clint Eastwood drama Cry Macho actually benefited from the fact it took so long to make. Richard Nash could have been made back in the 1980s, but it didn’t come together until just recently thanks to Eastwood, who both directed and played the lead role
However, the actor felt he was too young for the role and told the studio to look at Robert Mitchum instead. As a result, numerous other actors were tied to the part over the next few years, including versions with Arnold Schwarzenegger, Roy Schneider, Burt Lancaster, and Pierce Brosnan
Over the decades every attempt to make Cry Macho fell through, until it was announced in 2020 that it was being revived – and surprisingly, Eastwood was back on board as director and star.. Following the release of the film, one of the most common complaints aimed at the movie is Clint Eastwood’s age
‘Cry Macho’ Star Clint Eastwood Admits to Being Nervous About Riding Horses in New Movie [15]
‘Cry Macho’ Star Clint Eastwood Admits to Being Nervous About Riding Horses in New Movie. 17, marking the Eastwood’s first western movie since 1992’s Unforgiven
And it’s all about a former rodeo star who tries to reunite a boy and his father. And the 91-year-old star admitted riding a horse in Cry Macho caused some nerves on set
Clint Eastwood’s ‘Cry Macho’ has been decades in the making. And producer Al Ruddy approached Eastwood to develop it into a film in 1988
Clint Eastwood [16]
Clint Eastwood was born May 31, 1930 in San Francisco, the son of Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He had a comfortable, middle-class upbringing in nearby Piedmont
In 1949, when Eastwood was 19, his parents and younger sister relocated to Seattle, and Clint spent a couple years working menial jobs in the Pacific Northwest. These included operating log broncs in Springfield, Oregon, with summer gigs lifeguarding in Renton, Washington
During the mid-’50s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming
Movie Review: Clint Eastwood’s Cry Macho, on HBO Max [17]
Filmmakers have tried for more than four decades to film N. Richard Nash’s 1975 novel about an aging Texas cowboy who heads to Mexico to kidnap his former boss’s young, estranged son; it’s always seemed like an ideal project for a graying action star, but maybe not quite as graying as the currently 91-year-old Eastwood, who could have easily done it back when the novel came out
He doesn’t need de-aging because he’s got the audience’s memories on his side. Eastwood’s diction might be awkward, his back hunched, his frame unsteady — but he is perfect for the role because we want him to be.
(Over the years, he’s also probably outlived any number of critics who have said he was too old for this or that part.) As the sad-sack Mike Milo in Cry Macho, a former rodeo star and horse trainer who has wrestled with drugs and booze and grief and pain for years, he makes for a predictably fragile figure. But it’s not the character’s sordid history we see reflected in his teetering posture and strained creak of a voice; it’s pure time
Spoiler Magazine [18]
There are few icons in cinema history as prolific as Clint Eastwood. Following a career that spans over six decades, including over 30 feature films sitting in the director’s seat, his latest, Cry Macho, may not only be towards the bottom of that list and proof that he’s definitely past his peak, but also evidential of the inescapable magic that comes with anything he touches.
Mike never questions his quest or his friend’s motives, but what’s even stranger is that the audience isn’t expected to question them either.. Once he arrives south of the border, he quickly finds Rafo (Eduardo Minett), a snappy-mouthed kid who drinks tequila and makes money entering his rooster, Macho, into cock fights
Eastwood tries tapping into the same dynamics with his young costar as he did in 2008’s Gran Torino, where he played a porch barker who befriends a young Asian boy. His character in Cry Macho is much softer and agreeable
Cry Macho [19]
2021, Drama/Western, 2h 1m176 Reviews 500+ Verified Ratings. Cry Macho proves Clint Eastwood remains an economic filmmaker and charismatic screen presence — albeit one who’s an awkward fit for this particular project
There are no featured audience reviews for Cry Macho at this time.See All Audience Reviews
Slow motions: Clint Eastwood’s ‘Cry Macho’ [20]
Tracking countryWarlpiri elders and expert trackers are leading a program in northern Australia to teach younger generations how to read Country. Manoel de Oliveira’s The Strange Case of Angelica is notable for many things, but perhaps above all the age of its director: at the time of the film’s shooting, de Oliveira was 101 years old
Seen in innocence of the film’s centenarian creator, would its gentle, haunted melancholy reverberate in quite the same way? Without reducing a supreme artist to the rare novelty of his working age, that a film of such spirit and tenderness could be possible at an age when most are long gone or hanging on seemed to me a small miracle. I thought of de Oliveira more than once during Cry Macho.
What is implied in Angelica is overt in Macho and doubly so, with Eastwood doubling as both director and star. He appears in almost every scene, his wizened features and decades-earned gravitas elevating what in the hands of another filmmaker would be slight and sentimental material into something rarer, heavier, more meaningful
Clint Eastwood seemed ready to ride into the sunset, then came Cry Macho [21]
Twenty years ago, Clint Eastwood seemed almost ready to ride off into the sunset. Instead, he’s continued directing and often starring in one “last film” after another – and for his rusted-on fans, it’s been quite something to witness the longest goodbye in American cinema.
Cry Macho is loosely adapted from a 1975 novel by the late N Richard Nash (also credited as co-writer of the screenplay, along with repeat Eastwood collaborator Nick Schenk). But the result is a typically spare parable where everything refers back to Eastwood and to the screen persona he has sustained over so many years.
Literally speaking, his mission is to drive down to Mexico on behalf of his boss, Howard (Dwight Yoakam), and retrieve Howard’s teenage son, Rafo (Eduardo Minett), from the clutches of the boy’s unscrupulous mother (Fernanda Urrejola).. Mike is reluctant, as always, but Howard insists he has the right man for the job
Clint Eastwood’s Cry Macho reflects on his screen legacy — and subverts it — in a contemporary western [22]
Clint Eastwood’s Cry Macho reflects on his screen legacy — and subverts it — in a contemporary westernBy Annabel Brady-Brown. Through the bajillion films Clint Eastwood has made over the past 66 years, he’s arguably done more than any one other single person in Hollywood to prop up – and demolish – American fantasies of heroism.
Behind the camera, Eastwood has only dug deeper, obsessively interrogating notions of what makes a hero through 42 directorial features (not least The Outlaw Josey Wales, Unforgiven, American Sniper and Richard Jewell).. The search for redemption continues in Eastwood’s latest, Cry Macho – a surprisingly low-key return to his old spiritual stomping ground, the western, and a highly self-reflexive, 1979-set tale of a washed-up ranchero sent south on a semi-legal quest.
Beginning on this brazenly rueful, elegiac note, the film introduces us to Mike Milo (Eastwood), a surly ex-cowboy who’s fallen further than most.. The backstory is dashed off in an inelegant, if effective, expository opening sequence: the camera pans over newspaper clippings chronicling Mike’s rise as a rodeo star before he was tossed off a bucking horse and broke his back – an accident that was followed by the death of his wife and child, and Mike’s steady, sodden retreat from the world.
‘Cry Macho’ could be a forgettable end to Clint Eastwood’s career [23]
The longer you keep making movies, the greater the likelihood you end your career with a dud. Clint Eastwood (“Million Dollar Baby”) has been riding that line for about 15 years now, and if his new film “Cry Macho” ends up being his last, it will be a forgettable end to the iconic actor/director’s filmography.
In the movie, he plays a former rodeo star and horse trainer tasked with bringing his former boss’s son home from Mexico. The story feels like your standard road trip movie, where the characters don’t get along at first but slowly begin to build respect for each other
It’s a real shame that the film plays out in such a standard way because Eastwood can usually add an interesting twist to what feels like something we’ve seen a million times. “Unforgiven,” for example, takes a cliché Western revenge story and turns it into a poignant rumination on obsession, violence and justice
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CRY MACHO – Official Trailer
CRY MACHO – Official Trailer
CRY MACHO – Official Trailer
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